A living notebook, a visual diary for the things that won’t sit still. Since 2015, Oltremondo has been the constant flow of my research: an archive that holds artistic works, experiments, published projects, and those commissions that take an unexpected turn. It is made of studio logs, strange detours, and rough cuts. Some work is finished, much is still becoming. Photographs first, words only when they’re needed. In between, a few glorious mistakes.